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Instead, “How did your family react to the sex scenes in your books?

” asked a woman wanting to write but worried about her family’ s reactions. ” asked another, having trouble getting anyone to assess her unpublished efforts.

It didn’t help being brought up in Ireland in the 60s. The whole culture prevailed against women having any self-esteem. She moved back to Dublin eight years ago with her English-born husband, Tony, who now runs the business side of Keyes’ career.

The children they’d hoped for haven’t come but now they are resigned to it, and instead keep company with two imaginary dogs, a conciliation to Keyes’ fear of dogs, which she’s working on.

Keyes who last year, according to her publisher, outsold every other Irish and English author, responded to each questioner with encouragement, sympathy, and wry humor. To the uninitiated, “chick lit” sums up a kind of disposable fiction à la ; all about airhead babes negotiating the minefields of office life, dating, and the January sales.

But the moment it [a book] looked as if it could be in some way potentially powerful the label ‘chick lit’ was slapped on it and instantly trivialized it. They think ‘Oh God, I should be reading Philip Roth but these books let me know I’m not alone.’ I think the genre is judged by its worst books, by women who miss the point. When I write about low self-esteem it’s not to say it’s okay. When I write about relationships with men, it’s never to say we will be fixed by a relationship to a man.” “Too female, too successful, too often in the bestseller list,” are the reasons Keyes gives for not belonging to Ireland’s literary scene.

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She’s an anomaly, if not a downright impossibility — an Irish mother who takes on board the details of her daughters’ sex lives without fearing for their eternal damnation.

Keyes jokes with her audiences about her own mother’s facility with a red pen when she encounters sexy bits in her daughter’s novels. But you know, we sexual beings.” Chick lit reflects the world of the average woman.

But the moment it [a book] looked as if it could be in some way potentially powerful the label ‘chick lit’ was slapped on it and instantly trivialized it. They think ‘Oh God, I should be reading Philip Roth but these books let me know I’m not alone.’ I think the genre is judged by its worst books, by women who miss the point. When I write about low self-esteem it’s not to say it’s okay. When I write about relationships with men, it’s never to say we will be fixed by a relationship to a man.” “Too female, too successful, too often in the bestseller list,” are the reasons Keyes gives for not belonging to Ireland’s literary scene.

As a way of breaking the ice it's often a good idea to chuck in a joke here and there - and if you're in need of some inspiration, look no further.

People have been sharing the most hilarious Tinder opening messages they have ever received - and Bored Panda has compiled a list of the very best.

She’s an anomaly, if not a downright impossibility — an Irish mother who takes on board the details of her daughters’ sex lives without fearing for their eternal damnation.

Keyes jokes with her audiences about her own mother’s facility with a red pen when she encounters sexy bits in her daughter’s novels. But you know, we sexual beings.” Chick lit reflects the world of the average woman.

By Lauren Byrne, Contributor August / September 2006 International bestselling Irish author Marian Keyes talks to Lauren Byrne about the other side of chick lit.