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18-Nov-2020 21:34

Finding the management of Paris' Opéra-Comique company uninterested in staging his works, in 1855 he leased a small theatre in the Champs-Élysées.

There he presented a series of his own small-scale pieces, many of which became popular.

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With generous support from local music lovers and the municipal orchestra, with whom they gave a farewell concert on 9 October, the two young musicians, accompanied by their father, made the four-day journey to Paris in November 1833.

He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st.

The Tales of Hoffman remains part of the standard opera repertory.

From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor.

His ambition, however, was to compose comic pieces for the musical theatre.

With generous support from local music lovers and the municipal orchestra, with whom they gave a farewell concert on 9 October, the two young musicians, accompanied by their father, made the four-day journey to Paris in November 1833.

He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st.

The Tales of Hoffman remains part of the standard opera repertory.

From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor.

His ambition, however, was to compose comic pieces for the musical theatre.

He secured a few temporary jobs in theatre orchestras before gaining a permanent appointment in 1835 as a cellist at the Opéra-Comique.